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The Hitchcock 20 Find and how it probably got away...

Operating the VMPF Facebook page is sometimes a lot of work and then sometimes a lot of fun.  We admins (Matt, David and I) moderate the page and get questions about values and authenticity.  We enjoy answering and discussing the movie poster(s) in question and feel satisfied that we are contributing to the hobby in that manner.  However, every once in a while something super exciting comes along such as a dialogue that started about finding some old posters in an old abandoned factory in the UK...

We get a message about these old posters with a couple of images - "Do you know much about them?":

  



The person having the poster informs us through more discussion that he has 20 posters (ended up 25) that are all UK 3 Sheets but they are stuck to a fabric and that many have been cut but that he has saved the bits...


So we are drooling and thinking what else does he have????!?!?!?!?  He indicated he would like to sell them and wanted to know what we thought their value to be. We discussed the need for restoration and the potential costs of getting them ready.  We again ask for images of the other posters and then he informs us that there is a Hitchcock but it is missing a piece.  Then we get the image dump...



  




























David and I collectively agree that we admins should make this guy an offer (we just figured Matt would be game)...  We do our analysis which was very difficult considering many of these posters had never been sold or seen...  We figured the restoration cost for each poster would be well over $500 each - closer to $800.   We did some more calcs, discussed it over the phone (David is much more Australian over the phone btw) and shot the guy an offer.  He said he would consider it but that was almost 45 days back, so we figure he's found a better deal.  We sent him a few more "we are still here" messages that went without reply.  

But that doesn't mean we shouldn't let you guys enjoy the first VMPF "under the floorboards" moment...  Now just to sit back and wait to see where and when they pop up again.

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Comments

  • Oh they are pretty.

    You never know...you still might get that email.

    So they are on linen stuck to board?

    I still reckon the big ones are harder to move with a few rare exceptions of course...but they sure are pretty!

    Thanks for sharing and fingers crossed he gets back in touch!

  • As I remember it was you who sounded like a Texan, Charlie...

    Given the overall no-name titles and cost to restore we definitely think our offer was fair, but who knows who has been in his ear - everyone thinks they are having an Antiques Roadshow moment when it comes to these sorts of things and someone may have just oversold it to him. Either way we hope to see them again somewhere.

    Of all the questions that comes across our desk on FB from time to time this is probably my favorite, well except that Franky original we were offered but couldn't raise the $16K he wanted in time...
  • Some great film history there. The find consists of a majority of British films, a small amount of U.S. films and it appears one French film Verdun ( 1928 ). The three finds in the bunch are the two Samuel Goldwyn productions of Stella Dallas ( 1925 ) and The Winning Of Barbara Worth ( 1926 ), ( no Gary Cooper credit on the poster though ), but undoubtedly the highlight has to be Alfred Hitchcock's The Farmer's Wife ( 1928 ) which appears to be in the worse condition of the whole batch, reminding me of Hitchcock's Blackmail poster at an Auction of many years ago which was in a much worse condition than this one though, but still the worse conditioned poster in the auction.
  • This is the stuff dreams are made of!!! Wheter you get it or not, a freakin awesome discovery!!!
  • 110x75 said:
    This is the stuff dreams are made of!!! Wheter you get it or not, a freakin awesome discovery!!!

    How does it compere to Bruce's recent Argentinean find ?
  • I was offered the same collection but when he said that he had been in contact with a certain high profile collector I thought there was no point in making an offer.
  • John said:
    when he said that he had been in contact with a certain high profile collector I thought there was no point in making an offer.
    Don't think he meant us...
  • They're similar, I think. As said by british poster specialist Paul, pre 50s UK posters are extremely difficult to find. We are talking about several of them here, in the scarce 3sh format and from way before the war. Unlike british paper, argentinean posters from the mid 30s to the 50s are not difficult to find, BUT 1920s posters are.
    The three times I've seen argentinean 20s posters surface, there was a bunch of them coming from the same source, and almost all in great condition (probably because good quality paper was used down here in those days).
    I dare to guess one difference could be that the UK find is really a find (since the posters were in possession of someone completely unrelated to the hobby) and the ones at Bruce's came from a collector who decided to let them go (and this is just a guess, I have no idea where they came from)
  • Well, you guys are right up there in the high profile stakes but I think this guy might have trumped us all
  • edited January 2017
    HONDO said:
    Some great film history there. The find consists of a majority of British films, a small amount of U.S. films and it appears one French film Verdun ( 1928 ). The three finds in the bunch are the two Samuel Goldwyn productions of Stella Dallas ( 1925 ) and The Winning Of Barbara Worth ( 1926 ), ( no Gary Cooper credit on the poster though ), but undoubtedly the highlight has to be Alfred Hitchcock's The Farmer's Wife ( 1928 ) which appears to be in the worse condition of the whole batch, reminding me of Hitchcock's Blackmail poster at an Auction of many years ago which was in a much worse condition than this one though, but still the worse conditioned poster in the auction.
    A Fight to the Finish (1925) - Melodrama. Featuring William Fairbanks (no relation). Took me a while to find this title, just added it to his Wiki page for him.
  • edited January 2017
    John said:
    Well, you guys are right up there in the high profile stakes but I think this guy might have trumped us all
    He's done a gather the information at harvey norman and buy online!
  • Exciting stuff anyway...100% adrenaline!
  • Karina The Dancer ( 1928 ) is from France also. Nothing special about the poster but it appeals to me
  • David said:
    John said:
    when he said that he had been in contact with a certain high profile collector I thought there was no point in making an offer.
    Don't think he meant us...
    What was that term Mel always had for the better class of collector????  FARK wish my brain worked better!
  • Sven said:
    John said:
    Well, you guys are right up there in the high profile stakes but I think this guy might have trumped us all
    He's done a gather the information at harvey norman and buy online!

    Yes indeed. The owner of the posters said he rescued them from being dumped. I guess he has done a lot of research into them and hopefully will get a good price. One thing that put me off was the cost of getting them to Australia because they seem to have been stuck to board.

  • What was that term Mel always had for the better class of collector????  FARK wish my brain worked better!
    5 star elite. Chris is one of them. =)
  • John said:
    One thing that put me off was the cost of getting them to Australia because they seem to have been stuck to board.
    That didn't worry us, I have two sisters in London, would have sent them around with the cash
  • 110x75 said:

    What was that term Mel always had for the better class of collector????  FARK wish my brain worked better!
    5 star elite. Chris is one of them. =)
    It's a level we all aspire to, one star would be nice...
  • 110x75 said:

    What was that term Mel always had for the better class of collector????  FARK wish my brain worked better!
    5 star elite. Chris is one of them. =)

    That's it! Thank you...
  • David said:
    HONDO said:
    Some great film history there. The find consists of a majority of British films, a small amount of U.S. films and it appears one French film Verdun ( 1928 ). The three finds in the bunch are the two Samuel Goldwyn productions of Stella Dallas ( 1925 ) and The Winning Of Barbara Worth ( 1926 ), ( no Gary Cooper credit on the poster though ), but undoubtedly the highlight has to be Alfred Hitchcock's The Farmer's Wife ( 1928 ) which appears to be in the worse condition of the whole batch, reminding me of Hitchcock's Blackmail poster at an Auction of many years ago which was in a much worse condition than this one though, but still the worse conditioned poster in the auction.
    A Fight to the Finish (1925) - Melodrama. Featuring William Fairbanks (no relation). Took me a while to find this title, just added it to his Wiki page for him.

    On looking further into these obscure film titles some more of them are turning out to be films from France and even Germany & Sweden but the majority are from the U.S.A. The British distributors had me into thinking some were British films along with some British actors appearing in them. There are some British films though including The Farmer's Wife and a few other Wardour releases. 
  • Great stuff admins! Thanks for sharing. The images are amazing. Haven't heard of many of the titles, but I've come to realize my knowledge of titles outside of US is limited. Very exciting to have made an offer on such a old collection of paper. 
  • No comment from @Paul???  Are you the high profile collector?
  • Ahhhhh....
  • Haha, No sorry chaps it's not me. I had a chance to buy about 20 not long back. I put a couple up for sale on here and the other site, a couple of Helen Gibson posters that had been backed already and couldn't get 200 a piece for them, so never bought the bunch off the guy.  He eventually sold them for £1000 for the 20. Oh they were all from the silent era and nice to look at, but...

    As nice as these are, I'm thinking you guys have over cooked the prices and worth. I don't know what you offered the fellow, but looking at your restoration costs, and figuring in postage etc, I think your pricing is way out..

    Don't get me wrong, I would love them myself, but it would only be from a technical point of view for my website (if I ever get it off the ground), if I had money to buy them, I would definitely buy something else that I like instead. Sounds harsh, but there isn't a huge market for these kind of silent cinema posters as I've found out...     
  • Paul said:

    As nice as these are, I'm thinking you guys have over cooked the prices and worth. I don't know what you offered the fellow, but looking at your restoration costs, and figuring in postage etc, I think your pricing is way out..
     

    How do you figure that?
  • edited January 2017
    OK, let me re-phrase that, how much do you think one of those is worth ?  You must have came up with a price to make an offer...

    I tried to sell two from the silent era from that bunch the guy I know had, and for only £200 each and had no luck, not even an offer...  I'm guessing you must have offered the fellow a fair bit more than £200 each?
  • Actually no.
  • Charlie and I discussed it at length, and (despite his accent) I think we were very much in tune with each other on where our offer needed to be; we understood all the titles except one were essentially no names, and we know that most silent era posters are really only collectible from a history/age factor rather than stars or titles. We took into account any resto, postage and other costs and made, as Charlie said, was a fair offer.

    No doubt he has been swayed by some people chirping in his ear about his Antique Roadshow find, and it will be interesting to see where they appear - if they do. 
  • Did you plan on restoring them?  And were you then going to sell them?
  • Only restore one of them - then fight between the three of us which ones to keep for our collections.  I understand your point about value but we are pretty savvy, not easily excitable beyond reason any more. Essentially we were leaning towards restoring and selling the one poster to pay for simply enjoying the history of the others.  
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