Gone With The Wind original daybill.
I recently go up close and personal to a framed original daybill poster of Gone With The Wind for sale and it looked fantastic.It was marked that is was originally from the Sydney St. James Theatre and on speaking to the owner and inquiring about it I was told the sale it came from was in the 1970's but no specific date was known.I have been curious for years to know the exact date the Sydney St. James had their sale. Does anyone have an article or at least a date on when it took place?
The other thing I would like to mention is that on close examination I noticed the Not Suitable For Children classification which is white writing on red within a red background circle which covers the green & black dress of the Vivien Leigh image. If one looks closer and I did, you can notice a very small yellow rim all around and under the circle but ever so small and it is the same colour yellow as the background yellow featured throughout the daybill. I am in no way suggesting anything is amiss with this poster but am just curious as I am thinking the circle was originally yellow and for whatever reason it was decided to paint over it but a 100% completion didn't happen with the process.I don't think it would have been anything to do with the censorship rating as the For General Exhibition rating would have been within in a triangle unless the triangle was featured on the yellow background then completely painted over.


Not the actual framed poster in question I viewed.
Hondo

Comments
This guy is the real deal. Has posters stored in the U.K. operates in N.S.W. and has been around for years. He once purchased United Artists stock from their warehouse.He has a nice long daybill of Cardina Richelieu with a theatre coming attraction on the top, Maria Walewska long daybill which is a magnificent Simmons designed poster, The Story Of Vernon And Irene Castle long daybill and The Blob among others framed for sale but none of them are cheap,
Hondo
I have it seems stirred up a hornet's nest here. Didn't mean to though .I just remembered the seller I was talking to said he had obtained a few from the St. James sale in the 1970's.
Hondo
I was just joking I am here to help in any way to authenticate if posters are what they claim to be in every respect as that's what I do.
There are some real problems with the Australian Jungle Jim series daybills that need to be tidied up which I intend to do somewhere in the future. Been putting it off for ages.
Hondo
I think we need to be very careful when expressing opinions about Australian posters. Its great when the theories are 100% accurate but some of the unproven theories obviously leave doubt about the origins of Australian posters and that is a big concern to me.
I have around 40 original long daybills printed by Hackett Offset, the printer of the GWTW daybill. I have had a very close look at them. Hackett appeared to print in two different styles. One style was using the pure hand litho process, the other part photo litho blending with hand litho. When I get a chance I will post some photos that will shed more light on all of this.
Yep, definitely this...
Just out of interest the framed daybill poster for sale that I looked at was on sale for $4,400.
Hondo
I have had a look at some of the articles on the internet about dot matrix posters. The suggestion seems to be that if a 1930s or 40s poster has a dot matrix print then it must be a fake or a repro.
A GWTW daybill has something that looks like a dot pattern through the photographic image. As a result, its authenticity has been questioned. Chris posted a photo of the Hackett printed Ninotchka which also has the dots through the photographic image.
As I said, I have about 40 Hackett printed daybills. Some are hand lithos and others are photo lithos - different styles of printing for different films. I don't think anyone else has that sort of sampling to examine up close. I looked at all the photo lithos and they all have the same dot pattern as GWTW as part of the poster.
What does that mean? Well, surely that must indicate that they are either all original or all reprints. I have absolutely no doubts that the long daybills I have examined are original so draw your own conclusions about GWTW and Ninotchka.
I haven't seen the daybill that was stuck to board so I can't comment on that but the theory about the dot pattern being an issue does not wash.
Now, what are your thoughts?
Not fence sitting at all. I can only comment on the posters I have actually seen. Hackett photo lithos have a definite dot printing style. That is a fact. My understanding is that the daybill that was sold at Heritage is consistent with other Hackett posters so no reason to be concerned about it.
My concern is that when doubt is cast over one poster it is cast over them all.
All This, And Hackett Too.
Hondo