Best Of
Re: Adding Borders Back
I understand your point, but when one restores a car one restores it back to as close as possible to the original condition (unless you are hot rodding it), you don't leave off the 1944 factory stamp under the bonnet/hood just because no one will really see it and it doesn't change the look of the car. The NSS detail etc at the bottom of the poster is part of the history of the poster and also the movie. If one was to restore a painting with (say) half the sig missing would one get that completed too?Bruce said:Not at all. A poster is a piece of art, and many people do want it to look as good as it can, and yes, you want it to look as it originally did, so, for instance, you would not add colors that were not originally there, even if they would make it "look better",
But the tiny writing in the bottom border is something no one cares about when it is displayed. Or do you go over to a Gone With the Wind one-sheet and look closely at the bottom as part of your appreciating it?
Another subject is why everything needs to "look perfect". When I started selling full-time in this hobby so many years linenbacking without any restoration was referred to as "in the European style", so I still refer to it that way, although there may not be so many Europeans who still do this!
As one of my friends once put it, "In a society where people essentially linenback their FACES, it is not surprising they need to make their posters look perfect", but really, what IS wrong with a poster showing signs of its age?
PS: I checked and none of my restored poster have had the data at the bottom repaired/added back, so I agree with myself even tho I am not talking from experience
:-/
David
1
Re: We want it scary...but not TOO scary!
Wasn't sure where to post this, but probably fits here.
Someone got creative and created this on the back of two 1960s one sheets stuck together. I love it!

Someone got creative and created this on the back of two 1960s one sheets stuck together. I love it!

Mark
2
Re: Italian 2F - Per un Pugno Di Dollari - Michelangelo Papuzza
I can be zero help on the poster, Chris (sorry), but great username!
Re: Two Different Original Styles Of The Same Daybill Designs.
The one on the right is far superior
Rick
1
Re: Anyone else had issues getting posters from MPE?
Not me personally, but I know of an Australian collector who hasn't received posters and most emails haven't been responded to.
Rick
1
Anyone else had issues getting posters from MPE?
Still trying to gather how many people have not received posters from MPE? If you are in the same boat please let me know. I have heard from 8+ collectors that have yet to get their posters. Many have tried to reach out to Jason and not heard back. I heard back sporadically and was assured I would get the posters. They were paid for at end of August.
I of course hope that it is just a hiccup or something and that he is OK... Just after 75 days it starts to take on a stomach sinking feeling...
I of course hope that it is just a hiccup or something and that he is OK... Just after 75 days it starts to take on a stomach sinking feeling...
Charlie
1
Re: Two Different Original Styles Of The Same Daybill Designs.
Thanks Dave and Peter for advising us of the correct poster style of Nevada.
HONDO
1
Re: Rockabilly's poster collection
Thanks for the kind words. I definitely likes me some early (s)exploitation. I sure wish more of those posters were standard 1 sheet size. Bigass frames are tougher to find. 
Re: Harper Poster Linenback (Linenbacking Attempt #3 or #4)
I was always very diligent to not get any paste between Mylar and poster. One other step is make sure you clean your Mylars between projects. If there is wheat paste left from last poster it can end up on the next poster. Water and rag…
Charlie
1
