Best Of
Re: A Do You Know Your B Movies Quiz
Oh oh! We're in trouble then!HONDO said:I'll attempt to do my best
Re: Hondo's This And That
A lot of the linenbacked posters in bad condition came from two estates of two very long time collectors who had no connection other than they both had an obsessive desire to linenback everything in their collections, and, as Rick correctly pointed out, much of both collections should never have been backed.collectahollic said:
It must be just as frustrating for Bruce, already flagging the need to send higher grade consignments.
One gentleman compounded his mistake by using a mediocre linenbacker who solely backed the posters with no restoration at all. And often to $25 or $50 posters, where the backing added nothing to the poster. The other gentleman backed the items well, but during his final years the posters were not cared for, and a fair number acquired post-restoration defects.
I had already told all my consignors to stop sending low value restored items, and now I will make this more clear than ever. No more poorly restored or damaged restored items at all, UNLESS the value is high enough to warrant additional restoraton.
And in the case of the two collectors above, BOTH collectors would have been FAR better off financially if they had never backed anything, and the bidders would have been more likely to bid, when the sole issue to whether to restore, and NOT whether to re-restore, usually much more costly.
I am very serious about "upgrading" eMoviePoster.com from a place that auctions ANYTHING regardless of value to one that has a clear minimum standard for each submission, and soon I will solely be returning items that don't qualify.
And I don't think having a "$30 absolute minimum" per item is setting the bar high at all! In 1970, the minimum wage in America was $1.60 an hour, Now, most places pay at least ten times that. If in 1970 I had said all items must be worth a solid $3, no one would have thought THAT was too high, and the same should be true of $30 now!
Bruce
1
Re: Hondo's This And That
Bruce has just finished his Sunday auctions where he sold a total of 114 Australian posters. This batch consisted of 91 daybills, 21 one sheets and 2 advertising posters. All of the 114 posters were linen backed.
What I do find odd is why apart from a small minority of top titles were all of the 114 posters linen backed. 87 of the total 114 posters sold for only well under #100.
When one considers the cost of linen backing, the shipping costs and Bruce's fees surely the linen backing of known low selling posters was risky.
What I do find odd is why apart from a small minority of top titles were all of the 114 posters linen backed. 87 of the total 114 posters sold for only well under #100.
When one considers the cost of linen backing, the shipping costs and Bruce's fees surely the linen backing of known low selling posters was risky.
HONDO
2
Re: Hondo's This And That
The vast majority of those titles should not have been linen backed.
Rick
2
Re: Beginning Discussion - Following Charlie's Path
I was happy with this restoration, all the white spaces were heavily stained, it took a lot of baby sitting during bleaching but the results are great.
Duke
2
Re: dedeposters bits
The results of almost 40 years of collecting from the days when things were a bit more affordable.Eisenhower said:Yikes! Those are some really nice pieces! Daybills are spectacular!
Re: Adding Borders Back
I understand your point, but when one restores a car one restores it back to as close as possible to the original condition (unless you are hot rodding it), you don't leave off the 1944 factory stamp under the bonnet/hood just because no one will really see it and it doesn't change the look of the car. The NSS detail etc at the bottom of the poster is part of the history of the poster and also the movie. If one was to restore a painting with (say) half the sig missing would one get that completed too?Bruce said:Not at all. A poster is a piece of art, and many people do want it to look as good as it can, and yes, you want it to look as it originally did, so, for instance, you would not add colors that were not originally there, even if they would make it "look better",
But the tiny writing in the bottom border is something no one cares about when it is displayed. Or do you go over to a Gone With the Wind one-sheet and look closely at the bottom as part of your appreciating it?
Another subject is why everything needs to "look perfect". When I started selling full-time in this hobby so many years linenbacking without any restoration was referred to as "in the European style", so I still refer to it that way, although there may not be so many Europeans who still do this!
As one of my friends once put it, "In a society where people essentially linenback their FACES, it is not surprising they need to make their posters look perfect", but really, what IS wrong with a poster showing signs of its age?
PS: I checked and none of my restored poster have had the data at the bottom repaired/added back, so I agree with myself even tho I am not talking from experience
:-/
David
1
Re: We want it scary...but not TOO scary!
Wasn't sure where to post this, but probably fits here.
Someone got creative and created this on the back of two 1960s one sheets stuck together. I love it!

Someone got creative and created this on the back of two 1960s one sheets stuck together. I love it!

Mark
2
Re: Italian 2F - Per un Pugno Di Dollari - Michelangelo Papuzza
I can be zero help on the poster, Chris (sorry), but great username!

